Posts Tagged: EMI

EMI does battle with MP3Tunes

I read via The Consumerist that EMI is trying to block music lovers from backing up their music to an online storage service at MP3Tunes. Now, from what I’m reading, the service MP3Tunes provides isn’t a fanciful view of file sharing - it’s actually a secure file storage service.

However, EMI are mounting a legal challenge because the service allegedly breaches copyright laws.

Right, we don’t give a stuff about EMI. That’s a given. As a consumer, you want music in a format that’s convenient to you. And with the rise of the MP3 and a generation of iPod users, listeners prefer digital.

Now, anyone who’s had a bad experience with a computer can tell you that they’re fragile. Viruses, hard drive failures and idiots can all conspire to delete an entire library of MP3s that have taken years to accumulate. A backup plan is essential if you want to keep your data safe.

There’s a great quote in Exchange Magazine about this:

Content owners have rights, but those should not extend to shutting down music storage websites that are not abetting copyright infringement. And nothing is stopping EMI from developing its own digital locker service. That a Web startup dreamt up an innovative business model to complement consumers’ busy lifestyles is no cause for judicial intervention.

MP3Tunes is neither facilitating piracy nor discouraging people from buying music in any way. In fact, by making music collections more accessible and therefore more valuable, MP3Tunes might actually cause people to buy more music.

OK, from another perspective, I can see how an account on MP3Tunes could allow people to share logins and therefore share files over the service. However, if EMI were to work with MP3Tunes, they could easily detect abuse of an account. Simultaneous logons from different locations, IP addresses, etc. Not a problem.

Unfortunately in the context of the recording industry’s long-running feud with the Internet, this latest case looks like yet another reason to see the major labels as a draconian money machine looking to protect it’s own interests as opposed to those of the customer.

Another voice in this issue is the man behind MP3Tunes, Michael Robertson. He writes clearly about the situation and questions the right of the record labels to invade their customers’ privacy:

Files are not MP3tunes’ possessions any more than the contents of a safety deposit box are owned by the bank that houses them. The storage provided by MP3tunes is the user’s own space. A Locker is empty when someone opens an account and that customer decides what files are placed into their Locker.

It certainly raises questions about the rights of the consumer when dealing with music they’ve bought. If you’ve had a hard drive failure, does the record company expect you to buy every MP3 again? That’s simply not realistic. If I’ve purchased the music, then surely I’ve got the right to insure against losing it?

The problem is, record companies are so busy trying to protect their precious copyrights these days that there’s virtually no legal way to listen to music unless it’s on the original CD. Customers like me are confused and concerned by the attitude of record companies to customers. I think it’s high time they stopped suing us and started listening to us!

What about you?

EMI: Artist Strikes, Cost Cutting and more…

You all know I’ve been watching the situation at EMI with interest over the last couple of weeks. I think the most interesting aspect of the debate is on where EMI is headed and the affect their new direction will have on their artists.

Market Research

Shockingly, EMI apparently don’t do any market research before releasing an album. Do they just let the artists do their own thing and then release the end product? Well, that would explain Rudebox. As I reported yesterday, even Kylie’s album hasn’t been as popular as you might expect.

Yet on the other hand, there seems to be an attitude among the artists and their managers that EMI should be marketing their material more aggressively - Robbie’s manager Tim Clarke has been quoted as saying:

“The question is, ‘Should Robbie deliver the new album he is due to release to EMI?’ We have to say the answer is ‘No’. We have no idea how EMI will market and promote the album. They do not have anyone in the digital sphere capable of doing the job required. All we know is they are going to decimate their staff.”

The problem is, if Robbie’s next album is as much a criticial and commercial turkey as Rudebox, how much money are EMI prepared to spend pissing against the wind? If Robbie is out of touch with his fanbase (which I suspect he is), why should EMI shell out for an album that strokes Robbie’s ego and no-one else’s?

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Is Kylie The Latest EMI Casualty?

Despite lots of television coverage recently with her own one-off show and a spot on Doctor Who, Kylie’s latest album, X, isn’t setting the music world on fire.

Apparently the pocket-sized Aussie is disappointed at the poor album sales and is pointing her finger at EMI. Although the album was released in late November, X has only sold 315,000 copies to date.

Kylie joins a growing line of artists who are displeased with EMI since the takeover of Guy Hands and his Terra Firma company. On the other hand, it seems like Terra Firma believe the artist roster at EMI has more than a little dead weight.

Radiohead and EMI recently had a public war of words over the failed renegotiation of their recording contract. Apparently Robbie Williams and Coldplay are other EMI acts who are unhappy with the current situation.

The big question is: if EMI trim the fat off their label, are they planning to launch other world class acts to replace the likes of Radiohead? Or do they want to get rid of the expensive acts and simply replace them with salaried pop puppets? Watch this space.