Chris Cornell ft Timbaland – Part Of Me – Single Review

Chris Cornell - Part Of Me

Chris Cornell partnering with Timbaland was the most unlikely musical collaboration ever. If your experience of Cornell is through Soundgarden or Audioslave, you are about to hear the boldest move of his career.

Now, if you’ve been wondering where Cornell’s been since Audioslave broke up, the video reveals all: he’s been brooding in clubs in Puerto Rico, Texas and New York. Observing women flirting on the dancefloor while their menfolk look on in frustration. Oh yes, and hanging out with hordes of line-dancing women.

On first listen, I was skeptical. Cornell’s voice is exceptionally well suited to rock. History tells us this. But initially, the combination of Cornell’s voice and Timbaland’s beats is reminiscent of Sexbomb-era Tom Jones. You know, when he tried to appeal to the young folks?

The thing with Timbaland though is that sometimes his influence isn’t immediately likeable. Or appreciated. I find the best thing is to just accept it. I’m talking to you crusty ol’ Soundgarden fans!

To listen to Part Of Me, you have to approach this as a new era for Cornell. It’s a brave move, but the song is brilliant. My only issue is that the edited version removes the crucial ‘bitch’ word from the chorus, which ruins it slightly.

And the collaboration works brilliantly in my opinion. There’s a grinding beat to it, and rather than go all-out R&B, we get some distorted guitars in the mix as a hat-tip to Cornell’s roots. It’s totally different, but it really works.

As an added bonus, Classic Rock have an interview with Chris, which should interest those of you with questions about his musical direction.

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One Response to “Chris Cornell ft Timbaland – Part Of Me – Single Review”

  1. steve says:

    Personally, as someone who has alway been a fan of Soundgarden and Audioslave, I think this was always going to go wrong. In the video itself he looks awkward and totally out of his comfort zone. The lyrics to the song are horrifically bad, thought the chorus is the only redeeming part of the song, purely through it’s catchyness. Cornell will almost certainly look back on this era of his career in 10 years time with utter embarrassment. Providing it gets him back on stage with Audioslave again, this can only be a good thing.